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There are a number of pieces that came from my “Next in Fashion” collection, like the pink satin shirt inspired by traditional jockey outfits. There’s traditional suiting and elegant silhouettes turned on their heads a little bit with some slightly unexpected elements, like bandanas or raw edges and split hems on the trousers.
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I really wanted this collection to feel fun and free and like there’s no holding back. The Bright Young Things were a group I always looked to, for their spirit and their attitude of not giving a s–t about what anyone else thought, embracing life and having fun. I always look to British heritage and my own upbringing for inspiration.
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WWD: What is the fall 2020 collection about?ĭ.F.: The Bright Young Things were a starting point for my collection. WWD: What were some of the positive changes that came out of your decision?ĭaniel W. I wanted to use this season as an opportunity to say what I wanted to say, take control of what I was putting out there and what pieces I produced. I’ve really been thinking a lot about how wholesale works and how it dictates what I put out there as a brand. I wanted to give both my Fiorucci collection and my “Next in Fashion” debut their own moments to breathe. With my first Fiorucci collection coming out in January, and then my Netflix show coming out in February, I was preparing myself to shake things up a little bit. WWD: What made you rethink the way you present your collections and why did you opt out of the London shows in January?ĭaniel Fletcher: I knew that this year was going to be a different one for me. Here, the designer discusses his decision to shift his business model, how his Netflix experience equipped him to navigate the coronavirus crisis better, and the responsibilities that come with having a bigger platform. He is dedicating his upbeat new range to them, and has filled it with reimagined classics, hand-crafted details and limited-edition, upcycled pieces. His ability to forge ahead with the launch while in lockdown is also testament to his commitment to local manufacturing and to his close relationships with the seamstresses who have been making his clothes over the years. I’ve been aware that it is going to be very different, but what I’m hoping for is that this will help the fashion industry make some positive changes that are much needed, actually,” Fletcher said. “It’s been an interesting few weeks for me navigating how we put the collection out there, what I want to say, and what’s appropriate in the current circumstances.
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Post-Netflix and with a growing international following, Fletcher has been able to move toward a see-now-buy-now approach aimed at accelerating his direct-to-consumer business. The young designer was able to close the gap between showing and delivering by opting out of last January’s runway season in London.
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Today, he will present his fall 2020 range on the new London Fashion Week digital platform - by way of a simple look book - while the collection will simultaneously become available to purchase on his brand web site. to the U.K., will follow three people whose dark secrets resurface, threatening to rip their lives apart.Virgil Abloh Founder of Off-White Dies at 41 Adapted by Danny Brocklehurst, Stay Close, flipping the book’s location from the U.S.
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Daniel Francis, the British actor who recently starred in Education, the fifth and final film of Steve McQueen’s hugely-celebrated Small Axe anthology series, has landed a recurring role in upcoming Netflix drama Stay Close, based on Harlan Coben’s bestselling novel.Ī new eight-part thriller from the same team behind the Netflix series The Stranger - also from Coben and released in early 2020 - the drama will co-star Cush Jumbo ( The Good Wife, Vera ), Richard Armitage ( The Hobbit, The Stranger), James Nesbitt ( Cold Feet, The Hobbit) and Sarah Parish ( Industry, Broadchurch).